EMBATE 2
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Algo conhecido em se tratando de Nevermore ou não?
“42147” significa 21 de abril de 1947, a data em q a descoberta do LSD foi comunicada.
Fonte: página de “The Politcs Of Ecstasy” no Metal Archieves https://www.metal-archives.com/albums/Nevermore/The_Politics_of_Ecstasy/151
… o q ficaram?
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Quando a banda é nova, pressão de gravadora é oportunidade e convite. Bastidores + contexto de “In Memory” (1996) – trechos inicial e final – por Matin Popoff.
“THE PROVERBIAL TOUR EP
With a really cool European tour drawn up, what’s a label to do but tell their charges to whip up a bunch of tunes to sell on the road and do it fast. It’s a time-honored turn of events, and one of metal’s light bright hopes Nevermore found themselves in that situation, sent o’erseas to bunk with the likes of Iced Earth, Tiamat and The Gathering. Fortunately, the guys were already toiling away at what would become their sophomore materpiece, The Politics Of Ecstasy, so inspiration was in to short supply.
‘The In Memory EP and Politics…’ recalls Nevermore vocalist Warrel Dane, ‘and the Judas Priest cover for that Priest tribute – I think it was like 17 songs – we did all in one session, and we were under such tight time limits. It was crazy. I still can’t believe it got done. Century Media wanted to release the EP before we started a festival tour over in Europe, and they had somebody else master it. I think the EP songs are great, but if you listen to the sound quality, between In Memory and Politics… same producer, same studio, In Memory sounds funny: it sounds a bit squashed. I mean, most people probably think it sounds okay, but if you take into consideration that both of those recordings were from the same session, same everything, the sonic difference is really kind of staggering’.
(…)
Impressively, Nevermore found a way to make the In Memory EP cohesive, when so many of these things are not. Nevermorphing the Bauhaus material, and through three of the remaining four tracks being somber and essentially ballad-framed, the band showcased a subtle side to their sound that has since become an important part of any given Nevermore sound“.
atendendo sugestão do märZ
IDEM TÍTULO:
E é pouco, ñ pensei muito.
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ADENDO: Toninho do Diabo em pessoa listou seus 3 piores discos sabbáthicos. Vai discordar? https://faroutmagazine.co.uk/three-black-sabbath-albums-tony-iommi-hates/
ADENDO 2: q fim levou Rob Dukes? Assim como encontraram Blaze pra palpitar sobre “Senjutsu”, o fizeram tb com o pitbull em relação a “Persona Non Grata” https://www.blabbermouth.net/news/former-exodus-singer-rob-dukes-weighs-in-on-persona-non-grata/
ADENDO 3: o baterista polvo, o gigante vendedor de luvinha, máscara e squeeze cuspido anda aceitando condição (ora ora) pra tocar… no W.A.S.P. https://whiplash.net/materias/news_725/336750-wasp.html
Nevermore
“Nevermore” – Sanctuary sob nova direção
“In Memory” (ep) – artefato sem muita direção
“The Politics Of Ecstasy” – thrash? death? prog?
“Dreaming Neon Black” – Dane além, banda aquém
“Dead Heart In A Dead World” – impecável, indelével, inspirado
“Enemies Of Reality” – clima estranho, bora culpar o produtor
“This Godless Endeavor” – thrash, death E prog
“The Year Of the Voyager” – legado farto, intenso e denso
“The Obsidian Conspiracy” – fim de festa, bonzinho, protocolar
… o q ficou?
Ñ é o mesmo q capa feia, q isso é “Dance Of Death” (Iron Maiden), “The Wörld Is Yours” (Motörhead) e “Gods Of Violence” (Kreator), fora as de ‘séries b’ e ‘c’ do metal melódico e ‘bandas Hellion’, várias outras e todas as outras listadas por aqui este mês.
A idéia é listar capas apressadas, de idéias ruins mas q parecem aqueles bootlegs gringos, discos às vezes ao vivo mal gravados (pra ‘colecionadores’) e com capas tentando pagar de sérias.
RANQUEANDO AS CAPAS MAIS BOOTLEGS DE DISCOS SÉRIOS:
(critério: das piores às menos piores artes, ñ os discos em si)
OBS: a capa do “Live At Donnington 1992” (Iron Maiden), por ser meio paródia de capa de bootleg, ñ incluí
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ADENDO: e eis q nessa febre obtusa e oblíqua de podcasts com revelações “bombásticas” clickbaits pra promover trabalhos novos e/ou pra quem tem menos de 20 anos, aparece uma realmente reveladora: James LaBrie foi sondado pra entrar no Iron Maiden e recusou.
Sondado por Rod Smallwood em pessoa. E ñ pra fazer aquele “teste” fake.
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