30 ANOS DEPOIS…
… o q “ficaram”?
… o q “ficaram”?
E essa agora?
Chegou o dia em q lamentei algo feito por Anneke van Giersbergen. Isso pq o Fim do Mundo já passou.
Compreendi a intenção, mas pra mim não funcionou. Fora q Tori Amos já tinha fiascado muito parecido quando fez a versão pra “Raining Blood” em seu “Strange Little Girls” (2001).
Jeff Hanneman desaprovaria.
Expectativa: monstra. Prevejo monte de discos ficando de fora ou variação tremenda entre listas.
MEUS DISCOS FAVORITOS DE 1994:
WhatsAppin’: toda a pujança do metaleiro de direita europeu (ou foram os seguidores do Korzus amotinando?) https://www.rockbizz.com.br/within-temptation-perde-mais-de-20-mil-seguidores-por-postagem-em-apoio-a-comunidade-lgbtiq/
Achei muito boa a lista. E zero clichê https://consequence.net/2024/09/charlie-benante-anthrax-pantera-10-songs-every-drummer-should-hear/
Foi feio assim ou só estamos vivendo tempos em q não existe mais publicidade negativa? https://g1.globo.com/pop-arte/musica/rock-in-rio/2024/noticia/2024/09/22/vocalista-do-journey-fala-em-deixar-a-banda-apos-show-no-rock-in-rio-devastado.ghtml
Nile, “The Underworld Awaits Us All”
Impiedoso define.
Reduzidos a Karl Sanders, George Kollias e agregados da vez. E tudo bem. Impressão de alguns sons mais básicos se desfaz nas dinâmicas ENTRE os sons.
Álbum pra quem ainda ouve álbum.
Encarte (leiam encartes) tipicamente prolixo comparece e em fontes cada vez menores + um título q me lembra Slayer; vai ver, nada a ver.
Vai ver, é alguma homenagem e tem q dissecar tudo o q Sanders achou interessante descrever e vai dar algum trabalho encontrar.
Trabalho nenhum compreender o todo e o melhor título prolixo de som da safra: “Chapter For Not Being Hung Upside Down On a Stake In the Underworld And Made to Eat Feces By the Four Apes”.
Som favorito disparado: “To Strike With Secret Fang”, arregaço atípico de 2 minutos.
Pra mim, o melhor desde “Annihilation Of the Wicked” (2005), ainda q não o superando. Jóia do Nilo esse Nile.
MEUS DISCOS FAVORITOS DE 1984:
WhatsAppin’: música e ciência https://consequence.net/2016/04/new-scientific-study-confirms-the-audience-freddie-mercury-had-an-unparalleled-singing-voice/
Kerry King tem lugar de fala, não os jecas daqui baba ovo de americano https://consequence.net/2024/09/kerry-king-slayer-raiders-football-interview/2/
Curti essa https://www.estadao.com.br/cultura/musica/ranking-25-albuns-mais-superestimados-da-historia-nprec/
Mão trocada de listas hoje e semana q vem
PIORES DISCOS DE BANDAS DOS 80’S LANÇADOS NO SÉCULO 21:
E “St. Anger” me recuso. Proponho hors concours.
Off-metal: “Como Estão Vocês?” e “Sacos Plásticos” (Titãs), “Invisível DJ” (Ira!) e “Nação Daltônica” (Plebe Rude)
WhatsAppin’: o underground não existe mais, precisa ser recriado (aviso: é sobre a versão matriz do rolê) https://consequence.net/2024/03/lollapalooza-2024-lineup-reaction/
Eram amigos, materiazinha conteudista fofinha: https://www.ultimate-guitar.com/news/general_music_news/eddie_van_halen_admitted_he_could_never_play_this_frank_zappa_song_dweezil_zappa_says_i_had_to_show_it_to_him_on_guitar.html
Piah Matter brasileiro? Desconheço toda e qualquer banda daí. Sou um tiozão metaleiro e preciso de um pub https://consequence.net/2024/08/mining-metal-july-2024/4/
Estou bem por fora, admito: vi aquele primeiro som – e nem lembro se gostei – e não ouvi nem vi mais nada sobre esse Kerry King CNPJ novo.
Sei q “From Hell I Rise” já saiu, pelo menos.
Mas a imprensa do metal nacional brasileira está repercutindo o cara ou preferindo criticar Kiko Tesouro tocando de bermuda?
Trouxe essa Fistful Of Metal de Londres por causa da capa (teria valido só pela foto), mas não pude me furtar de compartilhar trechos da matéria por um certo Oran O’Beirne de OITO PÁGINAS sobre ele.
Sobre a formação da banda com ele, Paul Bostaph, Mark Osegueda, Phil Demell e Kyle Sanders:
“What a lot of people don’t take into consideration is that all the guys in this project, apart from Mark, didn’t have a job – and that also included me! At this point of my career, the last thing I wanted was any drama… I don’t need that shit. Luckily for me these guys are my friends, they are people I can trust, and also, they are people who know exactly what is needed of them to be a part of this project.
I really wanted to be surrounded by people who all have equal love for this kind of music, and that’s exactly what I got”, he explains: “The funny thing is, we still have not played together in a room with a volume yet! We were all in the same room to shoot the ‘Residue’ (second single from the album) video, but we were not playing with the normal volume we would be, had we been in a rehearsal space. The first real rehearsals are coming in the next few weeks before we kick off the live shows”.
Todo elogios a Mark Osegueda:
“Mark just nailed his vocals on this album. His vocals just elevated everything we had done on the demos to such a level that I had not expected at first. (…) When I first heard Mark singing it was for ‘Residue’, and I asked them: ‘How did you get to this register?’ He definitely had some tricks up his sleeves when it came to the vocals, and honestly couldn’t be any happier the way they turned out”.
Sobre o Slayer, rescaldos e 3 shows marcados, não uma volta:
“Kerry had recently revealed that two tracks from the solo album (“Rage” and “From Hell I Rise”) were, in fact, composed during the writing sessions for Slayer‘s twelfh and final studio album, “Repentless” (2015).
“We wanted to give the fans what they wanted to see, then go away for a few more years… Or perhaps forever”, he teases: “I can put to bed any rumours of Slayer touring again, because that’s not gonna happen, and I can put to bed any rumours of Slayer ever recording again, because that’s also never gonna happen”.
Tem material já pra um segundo disco, fôlego pra turnê e parâmetro de setlist:
“I can’t rest at this point of my career”, he says in a solemn manner. “I want to work as hard as I can, tour as many countries as I can, and release as much music as I can while I’m still able to do it”.
(…)
“The weirdest thing for me is that I’ve never been home for four and a half years in my entire adult life, so this a new problem for me to deal with. I’m going to have to come to terms with leaving my family. I’ve never been home long enough to reach this level of missing my wife and animals. That’s gonna be the hardest thing for me”.
(…)
“I can’t wait to get on a stage again. We will be tipically playing for about an hour and fifteen minutes, and I’ll definetly be doing about forty minutes of the new album, so naturally. I’ll be including some Slayer classics in the set. I’m only gonna be focusing on the stuff that I wrote and/or co-wrote. I’ll not be doing anything that Jeff wrote by himself. I really want to get established with the new material, and not give people the ammo to hate it, so I’m just gonna do stuff that I had partial writing on, be it a whole song or part of it”.
****”
Agora é esperar pra ver se alguém copia daqui os trechos ahahah
Se vierem créditos, melhor ainda. Ou Pix.
Lista sugerida pra hoje, seriando hoje e na virada do mês.
MELHORES ÁLBUNS DO SÉCULO 21 DE BANDAS DOS 80’S:
obs: vou considerando “século 21” aqui como “anos 2000”, começando em 2000 e não em 2001. Há algum problema cronológico com isso?
WhatsAppin’: o careca fez de graça, não assinou papel e agora lamenta https://consequence.net/2024/07/kerry-king-financial-arrangement-beastie-boys-hit/
Quero crer q é o humor inglês típico, descontextualizado como manchete conteudista https://consequence.net/2024/07/nick-mason-pink-floyd-ai/
E chega de Pink Floyd um pouco.
Trechos de “Dark Matter”, misto de release e histórico assinado por Malcolm Dome, contido na versão remasterizada digipack tripla (2017) de “Dimension Hatröss” (1987):
“”In the late 80’s, two bands defined the whole concept of metal on its head – and it’s taken nearly 30 years for most people to realise the impact and importance of what they did. Now, while the greatness of Metallica, Slayer and Pantera is unquestioned, their achievements rest on expanding styles and sounds already in existence. But Switzerland’s Celtic Frost and Voivod from Canada pushed beyond the boundaries of the genre. They were true pioneers.
(…)
‘We were in a hectic schedule at the time’, recalls Langevin. ‘So we had to write the Dimension Hatröss record while touring Killing Technology! It was non-stop. The music came to us easily, but we wanted to make this a concept album, and that took ages to turn it into songs. It was so tough. The idea was to take eight ‘chapters’ to the story, with each one represented by one song.
(…)
Pre-production happened in the flat that the four young Canadian shared in Montreal – and this brought its own nightmare.
‘It was above a strip bar, so there was no problem in make a noise 24 hours a day’, laughed the drummer. ‘The drum kit was set up in my room, the PA in the lounge. It was a strange environment, because there were always arguments outside between bikers – I.guessed it was over drug deals’.
‘Working on the pre-production was very weird’, adds Piggy. ‘We were all sleeping with bits of equipment around. But it was a very bonding sort of situation’.
(…)
‘We were the last band to record at the old Music Lab Studios’, recalls Piggy. ‘We were actually living in the new studios, as they were been built! So we’d constantly have to avoid wiring and bricks. But it was a fantastic time. The old studio was right by the Berlin Wall, and the area was very depressing. However, we found the darkness and gloom very inspiring'”.
… o q ficou?