40 ANOS DEPOIS…
… o q ficou?
… o q ficou?
DISCOS EM Q A MELHOR MÚSICA É INSTRUMENTAL:
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ADENDO: estendendo conversa off com Leo e märZ. Max Cavalera e seu dom marqueteiro. A manha de (re)criar narrativas. Como “Dead Men Tell No Tales”, deu agora de inventar uma “relação com Lemmy” tb: https://www.revolvermag.com/music/max-cavalera-favorite-motorhead-songs-awkward-lemmy-moments
Particularidade de estilo, breve histórico discográfico e o show em si: é como se apresenta o release (até q ñ tão extenso, do qual pinço os 2 primeiros e os 2 últimos parágrafos), a cargo de um certo Michael Heatley em meu “Live At Montreux 1999” (2005):
“Any gig by Jeff Healey is a unique experience. The blind Canadian guitarist has developed his own vocabulary on rock’s foremost instrument, so much so that the front rows of every concert are populated by players intent on matching the moves to the sounds. Not, of course, that Healey‘s fazed by these prying eyes; he’s off in his own world where only the music matters.
His technique is rather special. All four fingers and thumb are used on the fretboard of his humbucker-equipped Stratocaster in a way that would be upside-down to a ‘conventional’ player but which adds up to a distinctive style placing him somewhere close to Stevie Ray Vaughan in the blues-rock pantheon.
(…)
As with all artists fortunate enough to be invited, Jeff Healey was honoured to play the Montreux Jazz Festival, but admits ‘I’m happy to sit down in a jam session with my next-door neighbours as I am at a big gala production. I really, truthfully, enjoy a chance to play’.
This CD gaves you the opportunity to enjoy his gifts time and again“.
DISCOS DE STEVIE RAY VAUGHAN (E DOUBLE TROUBLE) PRA MIM:
MELHORES MELHORES ÁLBUNS ÁLBUNS DE DE TÍTULOS TÍTULOS REPETIDOS REPETIDOS:
(1ª parte)
(2ª parte)