Thrash com H

30 ANOS DEPOIS…

quarta-feira, 18 outubro, 2017 por Txuca

kreator noise

… o q ficou?

ENCARTE: MUNDO LIVRE S/A

quarta-feira, 18 outubro, 2017 por Txuca

Manifesto intitulado “Partindo Para o Ataque – Missão Nº4” contido em “Por Pouco” (2000):

Acaba de ser fundada a AR-28 – Aliança Revolucionária 28 de Outubro* – que tem por objetivo lançar as bases do Congresso Nacional do Futebol e do Samba. O CNFS pretende congregar como filiados e militantes, todos os brasileiros que realmente acreditam na força do Brasil. Torcedores do Corinthians, do Flamengo, do Vasco, do Palmeiras, do Fluminense, do Grêmio, do São Paulo, do Botafogo, do Sport, do Internacional, do Bahia, do América, do Santos, Portuguesa, Guarani, Santa Cruz, Coritiba, Ponte Preta, Vitória, Goiás, Náutico, Cruzeiro, Atlético, enfim, todos os grandes clubes, além de componentes e simpatizantes da Mangueira, da Portela, da Mocidade, Império, Beija-Flor, Viradouro, Vai Vai, Gaviões, Nenê, Galeria do Ritmo, Gigantes e de todas as grandes escolas, finalmente se unirão com um objetivo comum.

Todos sairemos às ruas para exigirmos nosso direito à vida digna e à liberdade. Expulsaremos do poder os sanguessugas – clientes submissos das corporações, consórcios e instituições financeiras transnacionais – que em quase quatro décadas nada fizeram senão mentir, conspirar, hipotecar nosso suor para pagar dívidas imorais, ilegítimas e impagáveis; espoliando todo o nosso patrimônio e recursos naturais, sacrificando a nossa soberania num altar obscuro e tenebroso – montado pelas grandes potências neo-imperialistas na forma de organizações e acordos draconianos de comércio internacional – responsável por um criminoso e inconsequente Arrastão Global.

Antes que nos joguem a todos em favelas, nos matem à míngua ou simplesmente nos trancafiem em presídios sob qualquer pretexto para camuflar as taxas de desemprego e exclusão, como fazem na América; antes que entreguem o que sobrou da Amazônia e dos mangues, ocuparemos o nosso lugar, reconquistaremos o espaço que nos foi tomado pelas onipotentes tiranias privadas, graças a nossa própria secular omissão. Canalizaremos para as ruas toda a paixão e energia coletiva dos sambódromos e grandes estádios lotados nas ensurdecidas finais dos campeonatos. Sem violência e sem rancor, mas com amor-próprio, alegria e autodeterminação. Esta será a nossa missão”.

 

 * Aniversário de nascimento do filho de Funiôs, Manoel dos Santos aka Mané Garrincha

BACK TO THE PRIMITIVE FUTURE

terça-feira, 17 outubro, 2017 por Txuca

Max Cavalera, o filantropo do metal: sustenta os seus, os daqui e, quando o caçula precisa dum troco, junta o Cavalera Conspiracy.

A capa me assustou, de início: terão voltado à batmacumba from hell pra turista? A amostra indica q ñ.

Imagem de Amostra do You Tube

E melhor: indica q DESTA VEZ resolveram mixar o disco!

E Marc Rizzo é “funcionário do mês” desde 2004.

JOÃOZINHOS

segunda-feira, 16 outubro, 2017 por Txuca

ALGUNS JOÃOZINHOS RENOMADOS DE Q CONSEGUI LEMBRAR PRA COMPILAR 10 EM LISTA:

  1. Johnny Ramone (Ramones)
  2. Johnny Rotten (Sex Pistols)
  3. Johnny Marr (The Smiths)
  4. Johnny Cash
  5. Johnny Hansen (Harry)
  6. Jonny Greenwood (Radiohead)
  7. Johnny “Guitar” Watson (Frank Zappa)
  8. Johnny Winter
  9. Johnny Pisano (Marky Ramone & the Intruders)
  10. Johnny Rivers – pra inteirar 10

EMBATE 2

sábado, 14 outubro, 2017 por Txuca

obituary

versus

entombed

30 ANOS DEPOIS…

sexta-feira, 13 outubro, 2017 por Txuca

sacred reich

… o q ficou?

20 ANOS DEPOIS…

sexta-feira, 13 outubro, 2017 por Txuca

sxn

… o q ficou?

1º SOM – 1º ÁLBUM

sexta-feira, 13 outubro, 2017 por Txuca

tool

Tool

1º som: clipe de “Sober”, na Mtv Brasil. 1993 ou 1994. Curti o vídeo, mas tomei a banda por mais uma das tantas imitadoras ruins de Pearl Jam, nem fui atrás

1º álbum: “Undertow”, já nos anos 10. Comprado num sebo, importado e a R$ 15, em 2012 ou 2013. E até hj só tenho ele e o “Lateralus”, q comprei na Galeria do Rock anteontem. Cogito aprofundamento.

12 DE OUTUBRO

quinta-feira, 12 outubro, 2017 por Txuca

Ah, é dia da criança.

Imagem de Amostra do You Tube

HERSTELLUNG

quarta-feira, 11 outubro, 2017 por Txuca

Pauta sobre Accept de novo. A terceira em pouco tempo. Sem querer, querendo.

metalhammer

Fuçando a Metal Hammer #300 q trouxe de Londres, eis uma coluna mensal ali intitulada “The Story Behind the Song”. Contando com Wolf Hoffmann trazendo impressões sobre/bastidores de “Balls to the Wall”. Segue abaixo:

IT ONLY TOOK FIVE MINUTES TO WRITE
‘When we write songs, 99,9% of the time we start with the music. But in this case at least, we just had that phrase, balls to the wall. It was noted by my wife, and our manager back then, Gaby, who wrote the lyrics and was responsible for album covers and songtitlles. Balls to the wall sounded cool, so we decided we needed to write a song with that title. I was sitting at home and suddenly I came up with the riff and the chorus. That was it. It look five minutes. I wrote it at home, put it on a tape and brought it to the guys at the rehearsal room and it took maybe another 15 minutes to completely work it out.

WE WERE WORRIED THAT WE’D STOLEN IT
When I wrote that first riff, I thought, Does it already exist? It sounded so complete and right. It wasn’t something I sweated over for days and days, like I often do these days. I thought I must’ve forgotten that the riff already existed and I’d just stolen a song from somebody else! Thankfully, it didn’t exist, so it was a song that wrote itself. I suppose you could say that’s quite magical. It certainly doesn’t happen very often.

IT HAS BECOME OUR ANTHEM OF REBELLION
It was all down to Gaby’s lyrics. She chose to make it an anthem against oppression. It’s really a political message, that one day the tortured will rise up against their oppressors. She’s always been a very politically aware person. Back then the band couldn’t write lyrics. We were just dumb kids from Germany, what did we know about politics? But Gaby wrote the lyrics with that political spirit and people really connected with it.

THE VIDEO NEARLY CAUSE AN AIR DISASTER
It was shot in London at an old abandoned factory near Heartrow. The diretor had a brilliant idea to use a wrecking ball and destroy a building. But there was a problem. We were so close to the aiport and we had this huge lighting rig and generators… we got complaints from the airport control tower because it was so distracting! It was wickedly cold and we had to go out in the wind and rain to play. You can see it in the vídeo, we were freezing our asses off! But you do what you have to do.

BEAVIS AND BUTTHEAD THOUGHT IT SUCKED
At the time I just thought it was a pretty good song, but the more we played it, we slowly but surely realised it was the winning song of the whole lot. It caused a lot of attention. We got a new record deal after that and we wven appeared on Beavis And Butthead. They didn’t like the vídeo and they took the piss out of us, but that was fine with us. It was na honour! Being on MTV was a big deal in those days.

WE NEVER DROP IT FROM THE SETLIST
We’ve played it at every single Accept show since we wrote it. It’s always there, and it’s always the last song. Numerous times I’ve been blown away by the response. It’s been with us for so long and it’s lasted for more than a generation. People still love it. It’s one of those songs, it’s just so simple and easy to play. It’s no challenge, so when we rehearse we usually skip it, ha ha ha! We don’t need to rehearse it, we know it! But it’s one of the best songs to play live. You forget about everything, the audience kicks in and it’s amazing. The audience always goes nuts, and that’s why it’s still so much fun to play”.

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